Cosmopolitanism in the Fictive Imagination of W. E. B. Du Bois Toward the Humanization of a Revolutionary Art【電子書籍】[ Samuel O. Doku ]

＜p＞This booktraces W.E.B. Du Bois’s fictionalization of history in his five major works of fiction and in his debut short story ＜em＞The Souls of Black Folk＜/em＞ through a thematic framework of cosmopolitanism. In texts like ＜em＞The Negro＜/em＞ and ＜em＞Black Folk: Then and Now＜/em＞, Du Bois argues that the human race originated from a single source, a claim authenticated by anthropologists and the Human Genome Project. This book breaks new ground by demonstrating the fashion in which the variants of cosmopolitanism become a profound theme in Du Bois’s contribution to fiction. In general, cosmopolitanism claims that people belong to a single community informed by common moral values, function through a shared economic nomenclature, and are part of political systems grounded in mutual respect. This book addresses Du Bois’s works as important additions to the academy and makes a significant contribution to literature by first demonstrating the way in which fiction could be utilized in discussing historical accounts in order to reach a global audience. “The Coming of John”, ＜em＞The Quest of the Silver Fleece＜/em＞, ＜em＞Dark Princess: A Romance＜/em＞, and ＜em＞The Black Flame,＜/em＞ an important trilogy published sequentially as ＜em＞The Ordeal of Mansart＜/em＞, ＜em＞Mansart Builds a School＜/em＞, and ＜em＞Worlds of Color＜/em＞ are grounded in historical occurrences and administer as social histories providing commentary on Reconstruction, Jim Crow segregation, African American leadership, school desegregation, the Pan-African movement, imperialism, and colonialism in Africa, Asia, and the Caribbean.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。

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